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My self-portrait disrupts notions of female self-portraiture, beauty, and traditional printmaking. I have mixed solar-plate etching, screen-printing, digital print, sewing, and collage to create a work that expresses my femaleness as dynamic, strong, abject, and beautiful. My orifices are open and one eye stares at the viewer – both of which have previously been taboo in the history of female self-portraiture. Initially, my deformed face fights with the beauty of Sandro Botticelli’s graces; however, after a while my work seems oddly beautiful – disrupting traditional ideas of beauty.
Kristen Flynn utilises new technologies and printmaking to create works that investigate and communicate her identity. Living on a rural property, and being a mother, she is particularly drawn to investigating facets of motherhood, life cycles, decay, the abject, and beauty, through found objects and appropriated artworks.